I'm Irish I Only Look Sweet And Innocent T Shirt
The T Shirt is 100% cotton pre shrunk Gildan 5000 shirt. 1 Middle Weight Contender; Comfy Men’s Short Sleeve Blank Tee Shirt. 100% Cotton. Strong double needle stitched neckline and bottom hem. Shoulder-to-shoulder taping. Quarter turned. Seamless collar The Digital Printed Transfer and will be placed centered on the t shirt If there are any questions are you need any help with the design please feel free to contact us we will try our best to answer message very quickly and we would love to hear from you. If you would like bulk pricing on any of our products please let us know and we can give you special bulk pricing. Click here to buy this shirt: https://flickrtees.com/product/mickey-mouse-im-not-arguing-im-explaining-why-im-right-shirt/ Fashion and music have always gone together. For Nicholas Daley, though, the relationship between the two is especially symbiotic. His parents one Scottish, the other Jamaican ran a reggae club in the late 1970s and ’80s, so the designer was raised on a diet of dub, roots, and culture, and all the swaggering style that came with that. Since he launched his namesake label in 2015, Daley has incorporated a musical component into his presentations, usually intimate affairs. Staged in the lofty St. Mary-at-Hill Church in the financial district of London, his show this evening was his most ambitious and impressive to date. To set the tone, Daley invited the British jazz band Sons of Kemet for a jam session. Performances at fashion shows are nothing new, but it is rare to see musicians walk the runway while playing their instruments. Bandleader Shabaka Hutchings opened the show saxophone in hand, dressed in orange-and-brown cargo pants and a matching utility vest layered over a mesh tank. His bandmates followed shortly behind him, including the tuba player Theon Cross, who swept in wearing a poncho and Irish linen shorts. Daley is a stickler for details, down to the incense that’s custom-formulated in Japan to fit the vibe of each show. The clothes were just as considered, with cowrie shells hand-threaded through the eyelets of sneakers and charming knitted satchels. Speaking after the show, Daley took pride in underscoring the fact that he produces in the United Kingdom. As far as bigger-picture inspiration goes, all roads led back to the Sun Ra Arkestra. The hugely influential American jazz group has always had a dedicated following, but lately, its Afrofuturism vision has been resonating in mainstream culture with movies such as Black Panther and artists like Janelle Monae. The New Model Army, raised by parliament was the first professional army in England (professional units had existed prior to this) so much of their equipment, including uniform, was standardized. This is not exactly the redcoat of the British Empire but it’s where it started. Also, as the musket became the main battlefield weapon, identification of troops, at a distance, became critical. As I mentioned, from the mid 17th century onwards identification on the battlefield became increasingly important and each nation started to pick a color for its infantry. Often cavalry units would have a much wider variety of colors which probably reflected their generally higher level of wealth, as units, and perceived higher social standing. (Wellington said something along the lines that cavalry were merely there to make a battle look presentable). The spirit of Sun Ra, who passed away in 1993, was very much present today in the chunky knit skull caps, the square-shaped statement sunglasses, and the exuberant tie-dye shirts that were custom-made in Japan. Jazz music has been having a renaissance in London, with a spate of new club nights in the south of the city. Designer Grace Wales Bonner is among the new generation of jazz heads, and she invited Gil Scott-Heron’s longtime musical partner, Brian Jackson, to play alongside Solange at her Devotional Sounds event in New York last month. As the hype beast–driven streetwear movement hurtles toward saturation point, it’s menswear designers like Daley in London and Emily Bode in New York who are edging ahead with a new, more soulful approach to making clothes, one with an emphasis on craft and community. The show ended on a high note when the entire audience was invited to dance with the band—models, editors, and buyers all let go of their inhibitions. Fashion shows don’t get more fun or inclusive than that. “The collection has respect for tradition and heritage,” said Neil Barrett backstage before his show. “But at the same time, it has a break-the-rules kind of attitude.” Known for his sharp, inventive tailoring, mostly in black and white, today’s show felt like the designer celebrating a more youthful spirit and a more diverse, energetic, and exploratory approach. Case in point was the show space, usually stark and minimal. This season Barrett worked with South African artist-in-residence Jody Paulsen creating compelling visuals covering the entirety of the glossy floor, inducing an immersive, almost trippy feel. Paulsen also worked with the designer on creating artworks. A kind of new heraldry and fictional ‘Old Boy’ crest decorated garments, echoing college scarves, conveying a youthful spirit slashed with a street vibe. Boxy tops and cropped shorts punctuated the collection, counterbalanced by the play on hybrids, which are one of Barrett’s distinctive style traits. Finely executed and displaying the designer’s skilled tailoring technique and inventive repertoire, they were the collection’s strongest point. Empire and colonial troops didn’t always wear red uniforms, often using whatever color was available locally. Back before everything turned khaki, British artillery units would wear blue uniforms and, in Napoleonic times rifle regiments, such as the 95th and 60th wore green uniforms, possibly because they had their origins in the French and Indian war (part of the seven years war). Due to the ever-expanding menswear season, I wasn’t in New York to watch Nihl’s models slink around Nowhere Bar in New York I was about 7,000 miles away in Shanghai for Prada’s Spring 2020 runway of innocents. At a preview for Neil Grotzinger’s Spring 2020 collection, the designer explained his myriad references, starting with bar culture and the link between hetero and queer masculinity. Hence the venue he chose on East 14th Street, the sort of grimy spot where you could imagine downing some Heinekens alongside Pride flags and twinkling Christmas lights. Grotzinger thrives in the contradictory space of queer masculinity, exploring the areas where masc meets femme, hardcore meets tenderness. He’s only been at it for three seasons since graduating Parsons’s MFA program, but he’s already built a recognizable oeuvre: pelvis-baring trousers, second-skin tops with suggestive cutouts, and rigorous handiwork like beading and chain mail. Spring 2020 is his most evolved and sure-footed collection yet. The stretch tops and trousers with circular chunks removed remain, but Grotzinger has expanded into leather, offering uniform-inspired jackets and V-front trousers. Those plunging fronts might seem untenable for real-world wear, but as the designer demo, he’s calculated the exact curve that allows the pants to cantilever around the lower body, staying put even while slightly unzipped. There is also a large group of shirting, with banker stripes meeting up with homoerotic portrayals of cowboys and car culture. Grotzinger ran the shirts through a sewing machine willy-nilly to create corset seams that run around the body, front to back, tugging the fabric off the shoulder here, revealing a collarbone there. In a variety of shapes and patterns, these have instant hanger appeal. The most beautifully kinky of Grotzinger’s creations are the flight suits, rendered useless or at least useless for pilots by zippers or hook-and-eye closures that circle the body. Equal parts Leigh Bowery and Evel Knievel, these are perfectly strange summations of Grotzinger’s MO: fetishizing functionality from a queer POV. These might not be the most salable of his offering, but much else of what appears in this lookbook surely warrants a spot at retail. As of yet, only one shop carries Nihl. If the menswear season is big enough to warrant trips halfway around the world, surely its stores are big enough to carry this daring young designer. Up to this point regiments or companies would wear colors mostly dependent on the whims of whoever raised the unit, who back then usually also paid for much of a unit’s equipment including uniforms (This is a bit of an oversimplification). Product detail: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary https://flickrtees.com This product belong to trung-cuong I'm Irish I Only Look Sweet And Innocent T Shirt The T Shirt is 100% cotton pre shrunk Gildan 5000 shirt. 1 Middle Weight Contender; Comfy Men’s Short Sleeve Blank Tee Shirt. 100% Cotton. Strong double needle stitched neckline and bottom hem. Shoulder-to-shoulder taping. Quarter turned. Seamless collar The Digital Printed Transfer and will be placed centered on the t shirt If there are any questions are you need any help with the design please feel free to contact us we will try our best to answer message very quickly and we would love to hear from you. If you would like bulk pricing on any of our products please let us know and we can give you special bulk pricing. Click here to buy this shirt: https://flickrtees.com/product/mickey-mouse-im-not-arguing-im-explaining-why-im-right-shirt/ Fashion and music have always gone together. For Nicholas Daley, though, the relationship between the two is especially symbiotic. His parents one Scottish, the other Jamaican ran a reggae club in the late 1970s and ’80s, so the designer was raised on a diet of dub, roots, and culture, and all the swaggering style that came with that. Since he launched his namesake label in 2015, Daley has incorporated a musical component into his presentations, usually intimate affairs. Staged in the lofty St. Mary-at-Hill Church in the financial district of London, his show this evening was his most ambitious and impressive to date. To set the tone, Daley invited the British jazz band Sons of Kemet for a jam session. Performances at fashion shows are nothing new, but it is rare to see musicians walk the runway while playing their instruments. Bandleader Shabaka Hutchings opened the show saxophone in hand, dressed in orange-and-brown cargo pants and a matching utility vest layered over a mesh tank. His bandmates followed shortly behind him, including the tuba player Theon Cross, who swept in wearing a poncho and Irish linen shorts. Daley is a stickler for details, down to the incense that’s custom-formulated in Japan to fit the vibe of each show. The clothes were just as considered, with cowrie shells hand-threaded through the eyelets of sneakers and charming knitted satchels. Speaking after the show, Daley took pride in underscoring the fact that he produces in the United Kingdom. As far as bigger-picture inspiration goes, all roads led back to the Sun Ra Arkestra. The hugely influential American jazz group has always had a dedicated following, but lately, its Afrofuturism vision has been resonating in mainstream culture with movies such as Black Panther and artists like Janelle Monae. The New Model Army, raised by parliament was the first professional army in England (professional units had existed prior to this) so much of their equipment, including uniform, was standardized. This is not exactly the redcoat of the British Empire but it’s where it started. Also, as the musket became the main battlefield weapon, identification of troops, at a distance, became critical. As I mentioned, from the mid 17th century onwards identification on the battlefield became increasingly important and each nation started to pick a color for its infantry. Often cavalry units would have a much wider variety of colors which probably reflected their generally higher level of wealth, as units, and perceived higher social standing. (Wellington said something along the lines that cavalry were merely there to make a battle look presentable). The spirit of Sun Ra, who passed away in 1993, was very much present today in the chunky knit skull caps, the square-shaped statement sunglasses, and the exuberant tie-dye shirts that were custom-made in Japan. Jazz music has been having a renaissance in London, with a spate of new club nights in the south of the city. Designer Grace Wales Bonner is among the new generation of jazz heads, and she invited Gil Scott-Heron’s longtime musical partner, Brian Jackson, to play alongside Solange at her Devotional Sounds event in New York last month. As the hype beast–driven streetwear movement hurtles toward saturation point, it’s menswear designers like Daley in London and Emily Bode in New York who are edging ahead with a new, more soulful approach to making clothes, one with an emphasis on craft and community. The show ended on a high note when the entire audience was invited to dance with the band—models, editors, and buyers all let go of their inhibitions. Fashion shows don’t get more fun or inclusive than that. “The collection has respect for tradition and heritage,” said Neil Barrett backstage before his show. “But at the same time, it has a break-the-rules kind of attitude.” Known for his sharp, inventive tailoring, mostly in black and white, today’s show felt like the designer celebrating a more youthful spirit and a more diverse, energetic, and exploratory approach. Case in point was the show space, usually stark and minimal. This season Barrett worked with South African artist-in-residence Jody Paulsen creating compelling visuals covering the entirety of the glossy floor, inducing an immersive, almost trippy feel. Paulsen also worked with the designer on creating artworks. A kind of new heraldry and fictional ‘Old Boy’ crest decorated garments, echoing college scarves, conveying a youthful spirit slashed with a street vibe. Boxy tops and cropped shorts punctuated the collection, counterbalanced by the play on hybrids, which are one of Barrett’s distinctive style traits. Finely executed and displaying the designer’s skilled tailoring technique and inventive repertoire, they were the collection’s strongest point. Empire and colonial troops didn’t always wear red uniforms, often using whatever color was available locally. Back before everything turned khaki, British artillery units would wear blue uniforms and, in Napoleonic times rifle regiments, such as the 95th and 60th wore green uniforms, possibly because they had their origins in the French and Indian war (part of the seven years war). Due to the ever-expanding menswear season, I wasn’t in New York to watch Nihl’s models slink around Nowhere Bar in New York I was about 7,000 miles away in Shanghai for Prada’s Spring 2020 runway of innocents. At a preview for Neil Grotzinger’s Spring 2020 collection, the designer explained his myriad references, starting with bar culture and the link between hetero and queer masculinity. Hence the venue he chose on East 14th Street, the sort of grimy spot where you could imagine downing some Heinekens alongside Pride flags and twinkling Christmas lights. Grotzinger thrives in the contradictory space of queer masculinity, exploring the areas where masc meets femme, hardcore meets tenderness. He’s only been at it for three seasons since graduating Parsons’s MFA program, but he’s already built a recognizable oeuvre: pelvis-baring trousers, second-skin tops with suggestive cutouts, and rigorous handiwork like beading and chain mail. Spring 2020 is his most evolved and sure-footed collection yet. The stretch tops and trousers with circular chunks removed remain, but Grotzinger has expanded into leather, offering uniform-inspired jackets and V-front trousers. Those plunging fronts might seem untenable for real-world wear, but as the designer demo, he’s calculated the exact curve that allows the pants to cantilever around the lower body, staying put even while slightly unzipped. There is also a large group of shirting, with banker stripes meeting up with homoerotic portrayals of cowboys and car culture. Grotzinger ran the shirts through a sewing machine willy-nilly to create corset seams that run around the body, front to back, tugging the fabric off the shoulder here, revealing a collarbone there. In a variety of shapes and patterns, these have instant hanger appeal. The most beautifully kinky of Grotzinger’s creations are the flight suits, rendered useless or at least useless for pilots by zippers or hook-and-eye closures that circle the body. Equal parts Leigh Bowery and Evel Knievel, these are perfectly strange summations of Grotzinger’s MO: fetishizing functionality from a queer POV. These might not be the most salable of his offering, but much else of what appears in this lookbook surely warrants a spot at retail. As of yet, only one shop carries Nihl. If the menswear season is big enough to warrant trips halfway around the world, surely its stores are big enough to carry this daring young designer. Up to this point regiments or companies would wear colors mostly dependent on the whims of whoever raised the unit, who back then usually also paid for much of a unit’s equipment including uniforms (This is a bit of an oversimplification). Product detail: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary https://flickrtees.com This product belong to trung-cuong
The T Shirt is 100% cotton pre shrunk Gildan 5000 shirt. 1 Middle Weight Contender; Comfy Men’s Short Sleeve Blank Tee Shirt. 100% Cotton. Strong double needle stitched neckline and bottom hem. Shoulder-to-shoulder taping. Quarter turned. Seamless collar The Digital Printed Transfer and will be placed centered on the t shirt If there are any questions are you need any help with the design please feel free to contact us we will try our best to answer message very quickly and we would love to hear from you. If you would like bulk pricing on any of our products please let us know and we can give you special bulk pricing. Click here to buy this shirt: https://flickrtees.com/product/mickey-mouse-im-not-arguing-im-explaining-why-im-right-shirt/ Fashion and music have always gone together. For Nicholas Daley, though, the relationship between the two is especially symbiotic. His parents one Scottish, the other Jamaican ran a reggae club in the late 1970s and ’80s, so the designer was raised on a diet of dub, roots, and culture, and all the swaggering style that came with that. Since he launched his namesake label in 2015, Daley has incorporated a musical component into his presentations, usually intimate affairs. Staged in the lofty St. Mary-at-Hill Church in the financial district of London, his show this evening was his most ambitious and impressive to date. To set the tone, Daley invited the British jazz band Sons of Kemet for a jam session. Performances at fashion shows are nothing new, but it is rare to see musicians walk the runway while playing their instruments. Bandleader Shabaka Hutchings opened the show saxophone in hand, dressed in orange-and-brown cargo pants and a matching utility vest layered over a mesh tank. His bandmates followed shortly behind him, including the tuba player Theon Cross, who swept in wearing a poncho and Irish linen shorts. Daley is a stickler for details, down to the incense that’s custom-formulated in Japan to fit the vibe of each show. The clothes were just as considered, with cowrie shells hand-threaded through the eyelets of sneakers and charming knitted satchels. Speaking after the show, Daley took pride in underscoring the fact that he produces in the United Kingdom. As far as bigger-picture inspiration goes, all roads led back to the Sun Ra Arkestra. The hugely influential American jazz group has always had a dedicated following, but lately, its Afrofuturism vision has been resonating in mainstream culture with movies such as Black Panther and artists like Janelle Monae. The New Model Army, raised by parliament was the first professional army in England (professional units had existed prior to this) so much of their equipment, including uniform, was standardized. This is not exactly the redcoat of the British Empire but it’s where it started. Also, as the musket became the main battlefield weapon, identification of troops, at a distance, became critical. As I mentioned, from the mid 17th century onwards identification on the battlefield became increasingly important and each nation started to pick a color for its infantry. Often cavalry units would have a much wider variety of colors which probably reflected their generally higher level of wealth, as units, and perceived higher social standing. (Wellington said something along the lines that cavalry were merely there to make a battle look presentable). The spirit of Sun Ra, who passed away in 1993, was very much present today in the chunky knit skull caps, the square-shaped statement sunglasses, and the exuberant tie-dye shirts that were custom-made in Japan. Jazz music has been having a renaissance in London, with a spate of new club nights in the south of the city. Designer Grace Wales Bonner is among the new generation of jazz heads, and she invited Gil Scott-Heron’s longtime musical partner, Brian Jackson, to play alongside Solange at her Devotional Sounds event in New York last month. As the hype beast–driven streetwear movement hurtles toward saturation point, it’s menswear designers like Daley in London and Emily Bode in New York who are edging ahead with a new, more soulful approach to making clothes, one with an emphasis on craft and community. The show ended on a high note when the entire audience was invited to dance with the band—models, editors, and buyers all let go of their inhibitions. Fashion shows don’t get more fun or inclusive than that. “The collection has respect for tradition and heritage,” said Neil Barrett backstage before his show. “But at the same time, it has a break-the-rules kind of attitude.” Known for his sharp, inventive tailoring, mostly in black and white, today’s show felt like the designer celebrating a more youthful spirit and a more diverse, energetic, and exploratory approach. Case in point was the show space, usually stark and minimal. This season Barrett worked with South African artist-in-residence Jody Paulsen creating compelling visuals covering the entirety of the glossy floor, inducing an immersive, almost trippy feel. Paulsen also worked with the designer on creating artworks. A kind of new heraldry and fictional ‘Old Boy’ crest decorated garments, echoing college scarves, conveying a youthful spirit slashed with a street vibe. Boxy tops and cropped shorts punctuated the collection, counterbalanced by the play on hybrids, which are one of Barrett’s distinctive style traits. Finely executed and displaying the designer’s skilled tailoring technique and inventive repertoire, they were the collection’s strongest point. Empire and colonial troops didn’t always wear red uniforms, often using whatever color was available locally. Back before everything turned khaki, British artillery units would wear blue uniforms and, in Napoleonic times rifle regiments, such as the 95th and 60th wore green uniforms, possibly because they had their origins in the French and Indian war (part of the seven years war). Due to the ever-expanding menswear season, I wasn’t in New York to watch Nihl’s models slink around Nowhere Bar in New York I was about 7,000 miles away in Shanghai for Prada’s Spring 2020 runway of innocents. At a preview for Neil Grotzinger’s Spring 2020 collection, the designer explained his myriad references, starting with bar culture and the link between hetero and queer masculinity. Hence the venue he chose on East 14th Street, the sort of grimy spot where you could imagine downing some Heinekens alongside Pride flags and twinkling Christmas lights. Grotzinger thrives in the contradictory space of queer masculinity, exploring the areas where masc meets femme, hardcore meets tenderness. He’s only been at it for three seasons since graduating Parsons’s MFA program, but he’s already built a recognizable oeuvre: pelvis-baring trousers, second-skin tops with suggestive cutouts, and rigorous handiwork like beading and chain mail. Spring 2020 is his most evolved and sure-footed collection yet. The stretch tops and trousers with circular chunks removed remain, but Grotzinger has expanded into leather, offering uniform-inspired jackets and V-front trousers. Those plunging fronts might seem untenable for real-world wear, but as the designer demo, he’s calculated the exact curve that allows the pants to cantilever around the lower body, staying put even while slightly unzipped. There is also a large group of shirting, with banker stripes meeting up with homoerotic portrayals of cowboys and car culture. Grotzinger ran the shirts through a sewing machine willy-nilly to create corset seams that run around the body, front to back, tugging the fabric off the shoulder here, revealing a collarbone there. In a variety of shapes and patterns, these have instant hanger appeal. The most beautifully kinky of Grotzinger’s creations are the flight suits, rendered useless or at least useless for pilots by zippers or hook-and-eye closures that circle the body. Equal parts Leigh Bowery and Evel Knievel, these are perfectly strange summations of Grotzinger’s MO: fetishizing functionality from a queer POV. These might not be the most salable of his offering, but much else of what appears in this lookbook surely warrants a spot at retail. As of yet, only one shop carries Nihl. If the menswear season is big enough to warrant trips halfway around the world, surely its stores are big enough to carry this daring young designer. Up to this point regiments or companies would wear colors mostly dependent on the whims of whoever raised the unit, who back then usually also paid for much of a unit’s equipment including uniforms (This is a bit of an oversimplification). Product detail: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary https://flickrtees.com This product belong to trung-cuong I'm Irish I Only Look Sweet And Innocent T Shirt The T Shirt is 100% cotton pre shrunk Gildan 5000 shirt. 1 Middle Weight Contender; Comfy Men’s Short Sleeve Blank Tee Shirt. 100% Cotton. Strong double needle stitched neckline and bottom hem. Shoulder-to-shoulder taping. Quarter turned. Seamless collar The Digital Printed Transfer and will be placed centered on the t shirt If there are any questions are you need any help with the design please feel free to contact us we will try our best to answer message very quickly and we would love to hear from you. If you would like bulk pricing on any of our products please let us know and we can give you special bulk pricing. Click here to buy this shirt: https://flickrtees.com/product/mickey-mouse-im-not-arguing-im-explaining-why-im-right-shirt/ Fashion and music have always gone together. For Nicholas Daley, though, the relationship between the two is especially symbiotic. His parents one Scottish, the other Jamaican ran a reggae club in the late 1970s and ’80s, so the designer was raised on a diet of dub, roots, and culture, and all the swaggering style that came with that. Since he launched his namesake label in 2015, Daley has incorporated a musical component into his presentations, usually intimate affairs. Staged in the lofty St. Mary-at-Hill Church in the financial district of London, his show this evening was his most ambitious and impressive to date. To set the tone, Daley invited the British jazz band Sons of Kemet for a jam session. Performances at fashion shows are nothing new, but it is rare to see musicians walk the runway while playing their instruments. Bandleader Shabaka Hutchings opened the show saxophone in hand, dressed in orange-and-brown cargo pants and a matching utility vest layered over a mesh tank. His bandmates followed shortly behind him, including the tuba player Theon Cross, who swept in wearing a poncho and Irish linen shorts. Daley is a stickler for details, down to the incense that’s custom-formulated in Japan to fit the vibe of each show. The clothes were just as considered, with cowrie shells hand-threaded through the eyelets of sneakers and charming knitted satchels. Speaking after the show, Daley took pride in underscoring the fact that he produces in the United Kingdom. As far as bigger-picture inspiration goes, all roads led back to the Sun Ra Arkestra. The hugely influential American jazz group has always had a dedicated following, but lately, its Afrofuturism vision has been resonating in mainstream culture with movies such as Black Panther and artists like Janelle Monae. The New Model Army, raised by parliament was the first professional army in England (professional units had existed prior to this) so much of their equipment, including uniform, was standardized. This is not exactly the redcoat of the British Empire but it’s where it started. Also, as the musket became the main battlefield weapon, identification of troops, at a distance, became critical. As I mentioned, from the mid 17th century onwards identification on the battlefield became increasingly important and each nation started to pick a color for its infantry. Often cavalry units would have a much wider variety of colors which probably reflected their generally higher level of wealth, as units, and perceived higher social standing. (Wellington said something along the lines that cavalry were merely there to make a battle look presentable). The spirit of Sun Ra, who passed away in 1993, was very much present today in the chunky knit skull caps, the square-shaped statement sunglasses, and the exuberant tie-dye shirts that were custom-made in Japan. Jazz music has been having a renaissance in London, with a spate of new club nights in the south of the city. Designer Grace Wales Bonner is among the new generation of jazz heads, and she invited Gil Scott-Heron’s longtime musical partner, Brian Jackson, to play alongside Solange at her Devotional Sounds event in New York last month. As the hype beast–driven streetwear movement hurtles toward saturation point, it’s menswear designers like Daley in London and Emily Bode in New York who are edging ahead with a new, more soulful approach to making clothes, one with an emphasis on craft and community. The show ended on a high note when the entire audience was invited to dance with the band—models, editors, and buyers all let go of their inhibitions. Fashion shows don’t get more fun or inclusive than that. “The collection has respect for tradition and heritage,” said Neil Barrett backstage before his show. “But at the same time, it has a break-the-rules kind of attitude.” Known for his sharp, inventive tailoring, mostly in black and white, today’s show felt like the designer celebrating a more youthful spirit and a more diverse, energetic, and exploratory approach. Case in point was the show space, usually stark and minimal. This season Barrett worked with South African artist-in-residence Jody Paulsen creating compelling visuals covering the entirety of the glossy floor, inducing an immersive, almost trippy feel. Paulsen also worked with the designer on creating artworks. A kind of new heraldry and fictional ‘Old Boy’ crest decorated garments, echoing college scarves, conveying a youthful spirit slashed with a street vibe. Boxy tops and cropped shorts punctuated the collection, counterbalanced by the play on hybrids, which are one of Barrett’s distinctive style traits. Finely executed and displaying the designer’s skilled tailoring technique and inventive repertoire, they were the collection’s strongest point. Empire and colonial troops didn’t always wear red uniforms, often using whatever color was available locally. Back before everything turned khaki, British artillery units would wear blue uniforms and, in Napoleonic times rifle regiments, such as the 95th and 60th wore green uniforms, possibly because they had their origins in the French and Indian war (part of the seven years war). Due to the ever-expanding menswear season, I wasn’t in New York to watch Nihl’s models slink around Nowhere Bar in New York I was about 7,000 miles away in Shanghai for Prada’s Spring 2020 runway of innocents. At a preview for Neil Grotzinger’s Spring 2020 collection, the designer explained his myriad references, starting with bar culture and the link between hetero and queer masculinity. Hence the venue he chose on East 14th Street, the sort of grimy spot where you could imagine downing some Heinekens alongside Pride flags and twinkling Christmas lights. Grotzinger thrives in the contradictory space of queer masculinity, exploring the areas where masc meets femme, hardcore meets tenderness. He’s only been at it for three seasons since graduating Parsons’s MFA program, but he’s already built a recognizable oeuvre: pelvis-baring trousers, second-skin tops with suggestive cutouts, and rigorous handiwork like beading and chain mail. Spring 2020 is his most evolved and sure-footed collection yet. The stretch tops and trousers with circular chunks removed remain, but Grotzinger has expanded into leather, offering uniform-inspired jackets and V-front trousers. Those plunging fronts might seem untenable for real-world wear, but as the designer demo, he’s calculated the exact curve that allows the pants to cantilever around the lower body, staying put even while slightly unzipped. There is also a large group of shirting, with banker stripes meeting up with homoerotic portrayals of cowboys and car culture. Grotzinger ran the shirts through a sewing machine willy-nilly to create corset seams that run around the body, front to back, tugging the fabric off the shoulder here, revealing a collarbone there. In a variety of shapes and patterns, these have instant hanger appeal. The most beautifully kinky of Grotzinger’s creations are the flight suits, rendered useless or at least useless for pilots by zippers or hook-and-eye closures that circle the body. Equal parts Leigh Bowery and Evel Knievel, these are perfectly strange summations of Grotzinger’s MO: fetishizing functionality from a queer POV. These might not be the most salable of his offering, but much else of what appears in this lookbook surely warrants a spot at retail. As of yet, only one shop carries Nihl. If the menswear season is big enough to warrant trips halfway around the world, surely its stores are big enough to carry this daring young designer. Up to this point regiments or companies would wear colors mostly dependent on the whims of whoever raised the unit, who back then usually also paid for much of a unit’s equipment including uniforms (This is a bit of an oversimplification). Product detail: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary https://flickrtees.com This product belong to trung-cuong
Check out: https://btsshirts.info/im-irish-i-only-look-sweet-and-innocent-t-shirt/
No comments:
Post a Comment